TERA Gallery - African Art and Antiquities

"Altering The Way You View The World Of Art"
Type of Object:
    Bundu Helmet Mask
    20th. c

    The Mende are best known for smooth, black, helmet-
    shaped masks, named sowei, used by the Sande society, in
    particular, during the initiating girls. The initiates learn
    wisdom, beauty, grace, and self-control, all of which they will
    need within the multigenerational, polygamous households
    of their future husbands.

    All Mende girls join the Sande society at puberty.
    Representing female water spirits, the masks have an
    idealized female face whose aesthetic reflects religious and
    philosophical ideals. The design of the facial features
    conforms to strict conventions and has symbolic content.

    These masks are characterized by the shiny skin, the rings
    at the neck and the elaborate hair styling that suggest good
    health and a well-to-do social condition. The characteristic
    rings at the base of the masks can be explained as the
    concentric ripples created as the spirit emerges from the
    water. On the other hand, they are also believed to
    represent folds of fat, considered a sign of beauty, fertility,
    vitality, and health.

    The coiffures, on the other hand, display a great range of
    variations, which reflect changing fashions and thus may
    facilitate the dating and localization of the masks. These
    helmets were carved from the full trunk of a large tree.

    Sowei appears in public during the time when young girls
    are initiated into adulthood. It may also emerge at the
    crowning of or during the funeral ceremonies of a paramount
    chief. The masks are carved by men, but danced by women.
    This is unusual in Africa, since men usually wear masks that
    conceal the face. They were worn over the head with the rim
    resting on the shoulders. There are helmets with one, two, or
    four faces.

    Because the mask is "found" beside a stream deep in the
    forest, where the Sande spirit is said to live, and is
    supposed not to be an artifact at all, the carver in this case
    is anonymous. The dancer takes care that her costume
    contain no opening other than a narrow slit for the eyes, not
    to come into contact with the spirit, which she imagines as
    possessing a fearful, all-consuming power.



Ethnic Group:
    Mende Society


Country of Origin:  
    Sierra Leone and Liberia

Material:   
    Wood

Dimensions:
    16  1/2"H  x  9  1/2"W  x  9  1/2"D

Reference: